Production Still from Hare Follies 1997 presented at the Brooklyn Academy of Music

From a commissioned performance.  This is a moment from the middle section, called “Blood” which used dialog from a number of sources including “Blacula”.  I’m performing with Patricia Hoffbauer, and designed the sets and costumes. 

In truth this whole piece was a tribute to/rip off of Richard Foreman’s plays, and Kathy Acker’s novels. The script is a collaged text that attempts to talk about the realities of race and desire by stitching together stuff like “The Turner Diaries” and lyrics from Yellowman.  

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