Production Still from Hare Follies 1997 presented at the Brooklyn Academy of Music
From a commissioned performance. This is a moment from the middle section, called “Blood” which used dialog from a number of sources including “Blacula”. I’m performing with Patricia Hoffbauer, and designed the sets and costumes.
In truth this whole piece was a tribute to/rip off of Richard Foreman’s plays, and Kathy Acker’s novels. The script is a collaged text that attempts to talk about the realities of race and desire by stitching together stuff like “The Turner Diaries” and lyrics from Yellowman.