Production Still from Hare Follies 1997 presented at the Brooklyn Academy of Music From a commissioned performance.  This is a moment from the middle section, called “Blood” which used dialog from a number of sources including “Blacula”.  I’m performing with Patricia Hoffbauer, and designed the sets and costumes.  In truth this whole piece was a tribute to/rip off of Richard Foreman’s plays, and Kathy Acker’s novels. The script is a collaged text that attempts to talk about the realities of race and desire by stitching together stuff like “The Turner Diaries” and lyrics from Yellowman.  

Production Still from Hare Follies 1997 presented at the Brooklyn Academy of Music

From a commissioned performance.  This is a moment from the middle section, called “Blood” which used dialog from a number of sources including “Blacula”.  I’m performing with Patricia Hoffbauer, and designed the sets and costumes. 

In truth this whole piece was a tribute to/rip off of Richard Foreman’s plays, and Kathy Acker’s novels. The script is a collaged text that attempts to talk about the realities of race and desire by stitching together stuff like “The Turner Diaries” and lyrics from Yellowman.  

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